Christoph Wachter & Mathias Jud


Christoph Wachter (CH)
Mathias Jud (DE)
Christoph Wachter & Mathias Jud have been working together since 2000 on partizipatory community projects. Their works have won awards at Ars Electronica, Transmediale, cultural ministery of the state of Saxony, state-recognized culture departement, Migros Kulturprozent, Kanton Zürich, Cynetart, EMARE, Werkleitz Gesellschaft. The works were internationally presented at museums such as: NCCA (Moskau, Russland), Willhelm-Hack Museum (Ludwigshafen), Shedhalle Zürich (Zürich), NGBK (Berlin), Batiment d’Art contemporaine (Genf, Schweiz), Kunsthaus Dresden (Dresden), Weisman Art Museum (Minneapolis, MN, USA), Manchester Art Gallery (Manchester, UK), Young Artist Biennale (Bukarest, Rumänien). Presentations at media art festivals such as: ARS Electronica, Transmediale Berlin, FILE Sao Paulo & Rio de Janeiro, Cynetart Dresden, Videonale Osnabrück and Monitoring Kassel. Choosen projects: (2012) - Prix Ars electronica [the next idea] grant - grant by the Edith-Russ-Haus for media art New Nations (2009–2012) HOTEL GELEM - Embedded Tourism - participating in precarious living condition (2011–2012, Community Projekt) [o] picidae – Break through the Chinese Firewall (2007–ongoing) - honorary mention (transmediale08, Berlin) - sponsorship award of the cultural ministery of the state of Saxony (Cynet Art Festival, Dresden) Zone*Interdite (2000–ongoing) - Ars Electronica (honorary mention) - Golden Cube (honorary mention) - EMARE – European Media Artists in Residency Exchange (Werkleitz)
Zone Interdite

since 2000, participatory online tools

Landung in Australien

The work is an exploration of refugee and asylum seeker policies.

We perceive ourselves to be in a shrinking world of digital communication and borderless travel. However, this is only a reality for the privileged few, those with civil rights and residence permits, while others are excluded and suppressed.

Those asylum seekers who arrived by boat suffer in pointless undetermined detention. Their trauma continues after having survived dramatic flights and life-threatening boat odysseys. Their existence is used by the Australian authorities merely as a deterrent.

The promises of this shrinking world, the shortening of distances, the opportunities for connection, appear to be crucial. Being able to transmit a sign of life in dire situations is an existential necessity, it decides whether survival is possible or whether humans are left in forced neglect. It prevents marginalised voices from getting swallowed up by the open sea or power political debates.


Wachter and Jud begin their current research project in Australia, where refugees arriving in boats are taken into custody in secret military operations, deported and held prisoner for years in violation of international law. Wachter and Jud invite the marginalized to collaboratively develop specific tools to reveal a dispositif of politics and power and to overcome the fatal walls of silence. In Australia the installation LANDUNG IN AUSTRALIEN was created that allowed for communication beyond the prison walls. 

In Greece, Wachter and Jud also work with repressed and harassed asylum seekers and activists. In the afternoon of 10 September 2015, 48 men, women and children arrived at the Greek island on board the DINGHY FROM LESBOS. A countless number of similar boats have set sail in the last few months. Many have gone under, leaving hundreds of people dead. Media images show groups of people traveling through Europe without help of any kind. In this manner a refugee crisis is depicted that continually recreates the gap between the privileged with airline tickets and visas and those who are denied basic existential necessities. The DINGHY FROM LESBOS shows how Europe attempts to shield itself from those fleeing from war and crises by means of border fences, drones and coastal patrols.

participatory research, multimedia installation and workshop

Grant: February–April 2015, Queensland University of Technology (AU)